The Deaths of Pan

Ioana B. Jucan

Abstract


Reimagining an ancient myth through a cross-temporal metaphor of a love story, this performance philosophical piece plays with language and theatrical conventions in a meditation on (dis)connection and memory in the times of the Internet and of capitalist modernity.

Keywords


performativity and theatricality; embodied knowledge; playwriting and/as performance philosophy

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DOI: https://doi.org/10.21476/PP.2016.21108

Copyright (c) 2016 Ioana B. Jucan

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