Mel as Hyperobject

Mel Keiser

Abstract


Through the words of Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World (2013), the adapted practice of distant reading, the lens of current neuroscience, and the flavor of non-philosophy, artist Mel Keiser transmutes a text about object oriented ontology and ecological philosophy into a piece that describes what it is to be an identity becoming.


Keywords


practice-as-research; arts-based research; visual art; identity; systems theory; distant reading; ficto-criticism; studio practice; doing/thinking; non-philosophy; becoming; experimental literature

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References


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DOI: https://doi.org/10.21476/PP.2018.41195

Copyright (c) 2018 Mel Keiser

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