2024-03-29T11:51:04Z
https://www.performancephilosophy.org/journal/oai
oai:ojs2.performancephilosophy.org:article/33
2023-05-14T12:49:35Z
journal:ED
Editorial
Cull Ó Maoilearca, Laura
Editorial introduction for Volume 1 of Performance Philosophy
Performance Philosophy
2015-04-10
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https://www.performancephilosophy.org/journal/article/view/33
10.21476/PP.2015.1133
Performance Philosophy; Vol. 1 (2015); 1-3
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/33/91
https://www.performancephilosophy.org/journal/article/view/33/90
10.21476/PP.2015.1133
10.21476/PP.2015.1133
Copyright (c) 2015 Laura Cull Ó Maoilearca
https://creativecommons.org/licenses/by-nc-sa/4.0
oai:ojs2.performancephilosophy.org:article/121
2019-04-04T10:00:48Z
journal:ED
Editorial
Cull Ó Maoilearca, Laura
Schmidt, Theron
Watt, Daniel
This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respond to an open call for submissions and the introduction of a new section, [Margins], that supports creative, non-standard approaches to the manifold relationships that may arise out of the conjunction between performance and philosophy.
Performance Philosophy
2016-07-29
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https://www.performancephilosophy.org/journal/article/view/121
10.21476/PP.2016.21121
Performance Philosophy; Vol. 2 No. 1 (2016); 1-4
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/121/117
https://www.performancephilosophy.org/journal/article/view/121/115
10.21476/PP.2016.21121
10.21476/PP.2016.21121
Copyright (c) 2016 Laura Cull Ó Maoilearca, Theron Schmidt, Daniel Watt
oai:ojs2.performancephilosophy.org:article/132
2023-07-06T04:36:16Z
journal:ED
Editorial
Cull Ó Maoilearca, Laura
Gotman, Kélina
Katsouraki, Eve
Schmidt, Theron
This editorial introduces Vol 2 No 2 of Performance Philosophy.
Performance Philosophy
2017-01-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://www.performancephilosophy.org/journal/article/view/132
10.21476/PP.2017.22132
Performance Philosophy; Vol. 2 No. 2 (2016); 162-171
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/132/145
https://www.performancephilosophy.org/journal/article/view/132/144
Copyright (c) 2017 Laura Cull Ó Maoilearca, Kélina Gotman, Eve Katsouraki, Theron Schmidt
https://creativecommons.org/licenses/by-nc-sa/4.0
oai:ojs2.performancephilosophy.org:article/169
2018-09-06T22:27:20Z
journal:ED
Editorial
Schmidt, Theron
A brief introduction to Performance Philosophy Vol 3, No 1 (2017)
Performance Philosophy
2017-06-25
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://www.performancephilosophy.org/journal/article/view/169
10.21476/PP.2017.31169
Performance Philosophy; Vol. 3 No. 1 (2017); 1-3
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/169/197
https://www.performancephilosophy.org/journal/article/view/169/198
Copyright (c) 2017 Theron Schmidt
oai:ojs2.performancephilosophy.org:article/191
2018-05-09T03:53:15Z
journal:ED
Introduction: Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy
Böhler, Arno
Aigner, Eva-Maria
Schäfer, Elisabeth
immanence
Deleuze
Agamben
contemporary arts
Spinoza
Bergson
Laruelle
Artaud
Nietzsche
Nancy
This special issue of the Performance Philosophy journal—the first bilingual edition in German and English—is one output of the research project “Artist-Philosophers. Philosophy AS Arts-based Research”, funded by the Austrian Science Fund (FWF): AR275-G21 in the context of the Programme for Arts-based Research (PEEK). A main question of the project was: “What happens to the traditional image of philosophy, once philosophers start to stage philosophy and implement arts-based practices into their discipline?” Starting from the philosophical assumption that meanings and possibilities are generated immanently out of the differential relations somebody shares with others within a concrete earthly milieu, we realised two main events in the course of the above-mentioned research project, on which this publication is based: The research festival Philosophy on Stage #4 „Artist-Philosophers. Nietzsche et cetera“ at Tanzquartier Wien in November 2015 and the conference “The Concept of Immanence in Philosophy and the Arts” at Angewandte Innovation Lab (AIL) Vienna. This issue of the Performance Philosophy Journal comprises texts by: Arno Böhler, Laura Cull Ó Maoilearca, Paulo de Assis, Susanne Valerie Granzer, Alice Lagaay, Dieter Mersch, John Ó Maoilearca, Freddie Rokem, Elisabeth Schäfer, Andreas Urs Sommer, Marcus Steinweg, Tanja Traxler, Stephen Zepke.
Performance Philosophy
2017-12-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text/html
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https://www.performancephilosophy.org/journal/article/view/191
10.21476/PP.2017.33191
Performance Philosophy; Vol. 3 No. 3 (2017): Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy; 563-575
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/191/280
https://www.performancephilosophy.org/journal/article/view/191/274
Copyright (c) 2017 Arno Böhler, Eva-Maria Aigner, Elisabeth Schäfer
oai:ojs2.performancephilosophy.org:article/192
2022-01-30T16:56:28Z
journal:ED
Einleitung. Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie.
Böhler, Arno
Aigner, Eva-Maria
Schäfer, Elisabeth
immanence
Deleuze
Agamben
contemporary arts
Spinoza
Bergson
Laruelle
Artaud
Nietzsche
Nancy
Deutsch:
Diese bi-linguale Sonderausgabe des Performance Philosophy Journals, die erste in deutscher und englischer Sprache, ist das Ergebnis des Forschungsprojekts „Artist-Philosophers. Philosophy AS Arts-based Research“, das vom Österreichischen Wissenschaftsfonds (FWF): AR275-G21 im Kontext des Programmes zur Entwicklung und Erschließung der Künste (PEEK) gefördert wurde. Eine zentrale Fragestellung des PEEK-Projekts lautete: „Was geschieht mit dem traditionellen Bild der Philosophie, wenn Philosoph_innen beginnen, den Prozess des Philosophierens im öffentlichen Raum aufzuführen und kunst-basierte Praktiken in ihre Disziplin einzubeziehen?“ Ausgehend von unserer Annahme, dass Bedeutungen und Möglichkeiten aus differenziellen Beziehungen heraus generiert werden, die jemand mit anderen in einem konkreten weltlichen Milieu immanent teilt, haben wir im Verlauf des genannten Forschungsprojektes zwei Veranstaltungen realisiert, aus denen diese Publikation maßgeblich hervorgegangen ist: Das Forschungsfestival Philosophy On Stage #4 „Artist-Philosophers. Nietzsche et cetera“, das im November 2015 am Tanzquartier Wien stattfand, sowie die Konferenz „Immanenz in zeitgenössischer Kunst und Philosophie“ im Angewandte Innovation Lab (AIL) Wien. Diese Ausgabe des Performance Philosophy Journals umfasst Beiträge von: Arno Böhler, Laura Cull Ó Maoilearca, Paulo de Assis, Susanne Valerie Granzer, Alice Lagaay, Dieter Mersch, John Ó Maoilearca, Freddie Rokem, Elisabeth Schäfer, Andreas Urs Sommer, Marcus Steinweg, Tanja Traxler, Stephen Zepke.
English:
This special issue of the Performance Philosophy journal—the first bilingual edition in German and English—is one output of the research project “Artist-Philosophers. Philosophy AS Arts-based Research”, funded by the Austrian Science Fund (FWF): AR275-G21 in the context of the Programme for Arts-based Research (PEEK). A main question of the project was: “What happens to the traditional image of philosophy, once philosophers start to stage philosophy and implement arts-based practices into their discipline?” Starting from the philosophical assumption that meanings and possibilities are generated immanently out of the differential relations somebody shares with others within a concrete earthly milieu, we realised two main events in the course of the above-mentioned research project, on which this publication is based: The research festival Philosophy on Stage #4 „Artist-Philosophers. Nietzsche et cetera“ at Tanzquartier Wien in November 2015 and the conference “The Concept of Immanence in Philosophy and the Arts” at Angewandte Innovation Lab (AIL) Vienna. This issue of the Performance Philosophy Journal comprises texts by: Arno Böhler, Laura Cull Ó Maoilearca, Paulo de Assis, Susanne Valerie Granzer, Alice Lagaay, Dieter Mersch, John Ó Maoilearca, Freddie Rokem, Elisabeth Schäfer, Andreas Urs Sommer, Marcus Steinweg, Tanja Traxler, Stephen Zepke.
Performance Philosophy
2017-12-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text/html
application/pdf
https://www.performancephilosophy.org/journal/article/view/192
10.21476/PP.2017.32192
Performance Philosophy; Vol. 3 No. 2 (2017): Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie.; 310-323
2057-7176
deu
https://www.performancephilosophy.org/journal/article/view/192/279
https://www.performancephilosophy.org/journal/article/view/192/276
Copyright (c) 2017 Arno Böhler, Eva-Maria Aigner, Elisabeth Schäfer
https://creativecommons.org/licenses/by-nc-sa/4.0
oai:ojs2.performancephilosophy.org:article/225
2021-04-11T08:39:38Z
journal:ED
Crisis and the Im/possibility of Thought
Daddario, Will
Schmidt, Theron
The ubiquity of "crisis" and its sheer pervasiveness as a description of the contemporary world means that we do not so much write about crisis as much as we write from crisis. What type of thought is possible within crisis? If crisis extends to thought itself, insofar as we find ourselves in a crisis of thought (i.e., the crisis of not being able to think beyond the crisis of thought), then what kind of thinking is possible anymore? These are the questions raised by this special issue of Performance Philosophy, introduced here by the issue's co-editors.
Performance Philosophy
2018-08-30
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https://www.performancephilosophy.org/journal/article/view/225
10.21476/PP.2018.41225
Performance Philosophy; Vol. 4 No. 1 (2018): Crisis/Krisis; 1-8
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/225/317
https://www.performancephilosophy.org/journal/article/view/225/316
Copyright (c) 2018 Will Daddario, Theron Schmidt
https://creativecommons.org/licenses/by-nc-sa/4.0
oai:ojs2.performancephilosophy.org:article/250
2023-07-06T04:39:22Z
journal:ED
The Open Field of Performance Philosophy
Daddario, Will
This editorial introduces issue 4.2 of the Performance Philosophy journal. As a culmination of an "open call" for proposals, this edition prompts the reflection, "What is open?" The editorial pursues that question in order to map the open field of Performance Philosophy as it currently presents itself in this historical moment.
Performance Philosophy
2019-02-01
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https://www.performancephilosophy.org/journal/article/view/250
10.21476/PP.2019.42250
Performance Philosophy; Vol. 4 No. 2 (2018); 325-331
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/250/349
https://www.performancephilosophy.org/journal/article/view/250/334
Copyright (c) 2019 Will Daddario
oai:ojs2.performancephilosophy.org:article/291
2020-12-29T04:44:17Z
journal:ED
Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy
Damian Martin, Diana
Schmidt, Theron
This editorial introduces this special issue on the thresholds, borders, and dialogues between Hannah Arendt’s work and performance philosophy, bringing together contributions that investigate political resistance, thought, and practice. Arendt’s relevance to our times is ubiquitous: from the near constant citation of The Origins of Totalitarianism in relation to the recent rise in strong-man politics and resurgent ethnic nationalism, to her diagnosis of the plight of refugees, denied even the rights belonging to those that have broken the law, but instead placed outside the law. Contemporary political philosophy also bears numerous influences, in the thinking of Mouffe, Rancière, Nancy, Agamben, Brown, Butler, and more. For performance philosophy, we might engage with Arendt’s performative notion of politics itself, as exemplified in her idea of ‘spaces of appearance’, but also the performativity of thought, as well as the implications of Arendt’s work for phenomenology, governmentality, rights, and ecology. Contributors to this special issue also think through the relevance of Arendt’s work for an anti-colonial and anti-racist political praxis, and for post and non-human political ethics, judgment, and thinking.
Performance Philosophy
2019-11-30
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info:eu-repo/semantics/publishedVersion
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https://www.performancephilosophy.org/journal/article/view/291
10.21476/PP.2019.51291
Performance Philosophy; Vol. 5 No. 1 (2019): Sites of appearance, matters of thought: Hannah Arendt and Performance Philosophy; 1-7
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/291/377
https://www.performancephilosophy.org/journal/article/view/291/378
Copyright (c) 2019 Diana Damian Martin, Theron Schmidt
oai:ojs2.performancephilosophy.org:article/298
2024-02-26T09:18:01Z
journal:ED
Intervention as Intoxication!
Franzen, Ricarda
van Balen, Sophie
This guest edited journal issue follows on from the Performance Philosophy Biennial 2019 in Amsterdam. Featuring a wide range of research and contribution styles, reworked and elaborated further for this issue, contributors consider alternative ways of ‘intervening’. The central suggestion to rethink ‘intervention as intoxication’ resonates throughout all articles, highlighting the embodied, entangled, and aesthetic dimensions of intervention. Some of the contributors go on to consider intervention as subversion of institutions beyond the well-known discourse on institutional critique. In this editorial, in addition to introducing the authors, the editors and Biennial organizers characterize alternative ways of intervening in this issue as a search for humble ways of responding to socio-political issues and as a positioning of new knowledge(s). By way of opening, the editors recommend to consider listening as intervention, along the lines of Gemma Corradi Fiumara’s notion of ‘apprentices of listening’(1990, 57).
Performance Philosophy
2020-02-24
info:eu-repo/semantics/article
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https://www.performancephilosophy.org/journal/article/view/298
10.21476/PP.2020.52298
Performance Philosophy; Vol. 5 No. 2 (2019): Intervention as Intoxication; 172-182
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/298/405
https://www.performancephilosophy.org/journal/article/view/298/406
Copyright (c) 2020 Ricarda Franzen, Sophie van Balen
oai:ojs2.performancephilosophy.org:article/372
2022-01-15T20:13:39Z
journal:ED
Introduction: Plant Performance
Gibson, Prudence
Sandilands, Catriona
Plants perform their own interests and purposes. Plants perform in ways that afford and invite specific human experiences. Plants also perform complex biopolitical roles. With these multivalent understandings of plant performance in mind, this introduction to the “Plant Performance” issue of Performance Philosophy outlines the editors’ broadly feminist approach to the challenges facing scholars and artists in the field of Critical Plant Studies. We present these challenges, including colonisation and decolonisation, botanical aesthetics and its vegetal limits, instrumentality and vegetal respect, and phytopolitics and plant liveliness, as provocations for scholars and artists grappling with ecological, political and creative human relations with the vegetal world. The introduction, alongside the eight essays included in the issue, considers how thinking with plant performance might create conditions for a more contextual, critical, reflexive, nuanced, and/or urgent understanding of plant-human relationships, both historically and in the current moment. In addition to considering questions of plant performative agency, the issue foregrounds the politico-aesthetic conditions in which plant performances cannot help but occur. It details how specific works of performance art intervene in these conditions, and it contributes to the development of a more global and multiply-situated network of performative, critical plant knowledges, relations, and practices.
Performance Philosophy
2021-11-01
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info:eu-repo/semantics/publishedVersion
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https://www.performancephilosophy.org/journal/article/view/372
10.21476/PP.2021.62372
Performance Philosophy; Vol. 6 No. 2 (2021): Plant Performance; 1-23
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/372/421
https://www.performancephilosophy.org/journal/article/view/372/422
Copyright (c) 2021 Prudence Gibson, Catriona Sandilands
https://creativecommons.org/licenses/by-nc-sa/4.0
oai:ojs2.performancephilosophy.org:article/377
2022-04-22T05:24:20Z
journal:ED
Power and Powerlessness in Performance: An Introduction in Three Parts
Döcker, Georg
Katsouraki, Eve
Siegmund, Gerald
This editorial is an introduction to power / powerlessness, theatre and performance conceived as an intervention piece in three parts written by each of the three editors of this issue. The first part is an extended analysis of power and powerless in performance developed by Georg Döcker. The second part, developed by Eve Katsouraki, discusses the implications of a powerless theatre, especially during times of crisis such as the recent pandemic, and urges us to consider a new resilient model of theatre. Finally, the third part, by Gerald Siegmund, focuses on the interface between powerlessness and the aesthetics of theatre and performance. All the three interventionist parts of this introduction offer a conceptual framework upon which the articles of this issue can be seen to develop their examinations. We decided against offering descriptions of the articles themselves since each author has provided an abstract of their article.
Performance Philosophy
2022-04-22
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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application/pdf
https://www.performancephilosophy.org/journal/article/view/377
10.21476/PP.2022.71377
Performance Philosophy; Vol. 7 No. 1 (2022): Power and Powerlessness in Performance; 1-31
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/377/448
https://www.performancephilosophy.org/journal/article/view/377/449
Copyright (c) 2022 Georg Döcker, Eve Katsouraki, Gerald Siegmund
https://creativecommons.org/licenses/by-nc-sa/4.0
oai:ojs2.performancephilosophy.org:article/406
2023-05-14T12:43:32Z
journal:ED
Performance Philosophy 7(2) (2022): Imagining the open
Cull Ó Maoilearca, Laura
Daddario, Will
Damian Martin, Diana
Schmidt, Theron
This is the editorial for Performance Philosophy 7(2) (2022)
Performance Philosophy
2022-06-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text/html
application/pdf
https://www.performancephilosophy.org/journal/article/view/406
10.21476/PP.2022.72406
Performance Philosophy; Vol. 7 No. 2 (2022); 1-6
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/406/499
https://www.performancephilosophy.org/journal/article/view/406/500
Copyright (c) 2022 Laura Cull Ó Maoilearca, Will Daddario, Diana Damian Martin, Theron Schmidt
https://creativecommons.org/licenses/by-nc-sa/4.0
oai:ojs2.performancephilosophy.org:article/458
2023-07-06T04:34:54Z
journal:ED
Thinking Through Performance Technology in Music / Sound
Gritten, Anthony
Wilkins, Caroline
Performance Philosophy
2023-06-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text/html
application/pdf
https://www.performancephilosophy.org/journal/article/view/458
10.21476/PP.2023.81458
Performance Philosophy; Vol. 8 No. 1 (2023): Thinking Through Performance Technology in Music / Sound; 1-6
2057-7176
eng
https://www.performancephilosophy.org/journal/article/view/458/532
https://www.performancephilosophy.org/journal/article/view/458/531
Copyright (c) 2023 Anthony Gritten, Caroline Wilkins
https://creativecommons.org/licenses/by-nc-sa/4.0