| Issue | Title | |
| Vol 3, No 3 (2017): Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy | 'The Shadow of One’s Own Head' or The Spectacle of Creativity | Abstract HTML PDF |
| Susanne Valerie Granzer | ||
| Vol 3, No 1 (2017) | 'Visibility brings with it responsibility': Using a Pragmatic Performance Approach to Explore a Political Philosophy of Technology | Abstract HTML PDF |
| Geraint D'Arcy | ||
| Vol 4, No 1 (2018): Crisis/Krisis | Krisis as the Scene of Non-Decisional Judgement: A Performance Fiction for the Generic Human | Abstract HTML PDF |
| Hannah Lammin | ||
| Vol 3, No 1 (2017) | A ‘Paradox of Expression’: Merleau-Ponty and the Intertwining Nature of Brecht’s ‘not...but’ Procedure | Abstract HTML PDF |
| Cohen Ambrose | ||
| Vol 2, No 2 (2017) | A thought of performance | Abstract HTML PDF |
| Tero Nauha | ||
| Vol 3, No 1 (2017) | An Early Concept of the Theatre of Interplay: The Relevance of Branko Gavella’s Theory for the Development of Performance Philosophy | Abstract HTML PDF |
| Sibila Petlevski | ||
| Vol 4, No 1 (2018): Crisis/Krisis | Anarchic Reflection and the Crisis of Krisis: Working with Artaud | Abstract HTML PDF |
| Joel White | ||
| Vol 2, No 2 (2017) | "Any Search for an Origin is Hysterical": Summoning the Ghost of J.L. Austin | Abstract HTML PDF |
| Tawny Andersen | ||
| Vol 2, No 2 (2017) | Attempts on (writing) her life: ethics and ontology in pro-feminist playwriting | Abstract HTML PDF |
| Kai Roland Green | ||
| Vol 3, No 2 (2017): Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie. | „Ein Kunstwerk enthält nicht die geringste Information“. Deleuze, Guattari und die zeitgenössische Kunst | Abstract HTML (Deutsch) PDF (Deutsch) |
| Stephen Zepke | ||
| Vol 4, No 2 (2019) | “Out, and under, and out, and out.” Self-(Dis-)Organisation and the Stories of Libertatia | Abstract HTML PDF |
| Georg Doecker | ||
| Vol 3, No 2 (2017): Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie. | “The Shadow of One’s Own Head” oder Das Spektakel der Kreativität | Abstract HTML (Deutsch) PDF (Deutsch) |
| Susanne Valerie Granzer | ||
| Vol 3, No 3 (2017): Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy | ‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art | Abstract HTML PDF |
| Stephen Zepke | ||
| Vol 3, No 1 (2017) | ‘Alive’ Performance: Toward an Immersive Activist Philosophy | Abstract HTML PDF |
| Annalaura Alifuoco | ||
| Vol 4, No 1 (2018): Crisis/Krisis | Being in Crisis: Scenes of Blindness and Insight in Tragedy | Abstract HTML PDF |
| Kate Katafiasz | ||
| Vol 3, No 1 (2017) | Beuys’ Chair and the Violence of the Other: Toward a Theory of Aesth-ethics | Abstract HTML PDF |
| Dror Pimentel | ||
| Vol 2, No 1 (2016) | Bodily Schemata and Sartre's I and Me: Reflection and Awareness in Movement | Abstract HTML PDF |
| Jodie McNeilly | ||
| Vol 4, No 2 (2019) | Break Up Variations: An Annotated Score | Abstract HTML PDF |
| Generative Constraints | ||
| Vol 2, No 2 (2017) | Caesura of History: Performing Greek Tragedy after Brecht | Abstract HTML PDF |
| Matthias Dreyer | ||
| Vol 4, No 1 (2018): Crisis/Krisis | Climate Change and the Inescapable Present | Abstract HTML PDF |
| Jeanne Tiehen | ||
| Vol 4, No 2 (2019) | Collaboration as Differentiation: Rethinking interaction intra-actively | Abstract HTML PDF |
| Teoma Naccarato, John MacCallum | ||
| Vol 3, No 1 (2017) | Coracles, Castanets, Cadaqués | Abstract HTML PDF |
| Kathleen M. Gough | ||
| Vol 4, No 1 (2018): Crisis/Krisis | Crisis and the Emotional Body: Towards (Another) Freedom | Abstract HTML PDF |
| Daniela Perazzo Domm | ||
| Vol 2, No 1 (2016) | Dance, Philosophy, and Somaesthetics | Abstract HTML PDF |
| Eric Mullis | ||
| Vol 3, No 3 (2017): Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy | Dialectic of Restlessness | Abstract HTML PDF |
| Marcus Steinweg | ||
| Vol 3, No 2 (2017): Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie. | Dialektik der Rastlosigkeit | Abstract HTML (Deutsch) PDF (Deutsch) |
| Marcus Steinweg | ||
| Vol 3, No 2 (2017): Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie. | Die Gleichsetzung von Theater und Philosophie: Laruelle, Badiou & Gesten der Autorität in der Philosophie des Theaters | Abstract HTML (Deutsch) PDF (Deutsch) |
| Laura Cull Ó Maoilearca | ||
| Vol 2, No 2 (2017) | Disjointed Confessions: Adikia and Radical Deradicalization in Schlingensief’s Hamlet | Abstract HTML PDF |
| Janus C. Currie | ||
| Vol 1 (2015) | Doing Life Is That Which We Must Think | Abstract HTML PDF |
| Will Daddario | ||
| Vol 4, No 1 (2018): Crisis/Krisis | During the Long Greek Crisis: Jan Fabre, The Greek Festival, and Metakénosis | Abstract HTML PDF |
| Maria Mytilinaki Kennedy | ||
| Vol 1 (2015) | Editorial | Abstract HTML PDF |
| Laura Cull Ó Maoilearca | ||
| Vol 2, No 1 (2016) | Editorial | Abstract HTML PDF |
| Laura Cull Ó Maoilearca, Theron Schmidt, Daniel Watt | ||
| Vol 2, No 2 (2017) | Editorial | Abstract HTML PDF |
| Laura Cull Ó Maoilearca, Kélina Gotman, Eve Katsouraki, Theron Schmidt | ||
| Vol 3, No 1 (2017) | Editorial | Abstract HTML PDF |
| Theron Schmidt | ||
| Vol 3, No 2 (2017): Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie. | Einleitung. Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie. | Abstract HTML (Deutsch) PDF (Deutsch) |
| Arno Böhler, Eva-Maria Aigner, Elisabeth Schäfer | ||
| Vol 2, No 2 (2017) | Embodiment as First Affordance: Tinkering, Tuning, Tracking | Abstract HTML PDF |
| Ben Spatz | ||
| Vol 1 (2015) | Encountering Worlds: Performing In/As Philosophy in the Ecological Age | Abstract HTML PDF |
| João Florêncio | ||
| Vol 3, No 3 (2017): Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy | Equalizing Theatre and Philosophy: Laruelle, Badiou, and gestures of authority in the philosophy of theatre | Abstract HTML PDF |
| Laura Cull Ó Maoilearca | ||
| Vol 3, No 1 (2017) | Ethics, Gesture and the Western | Abstract HTML PDF |
| Michael Minden | ||
| Vol 3, No 1 (2017) | Ethics of Play in Earpiece Performances by Nature Theater of Oklahoma and Gob Squad | Abstract HTML PDF |
| Fred Dalmasso | ||
| Vol 3, No 1 (2017) | Ethics, Staged | Abstract HTML PDF |
| Carrie Noland | ||
| Vol 3, No 1 (2017) | Ethos Formula: Liturgy and Rhetorics in the Work of Ted Shawn | Abstract HTML PDF |
| Alexander Schwan | ||
| Vol 1 (2015) | Every Text is a Performance: A Pre-History of Performance Philosophy | Abstract HTML PDF |
| David Kornhaber | ||
| Vol 1 (2015) | Exceptionalism, Schizophrenia, Artaud: On Judgment | Abstract HTML PDF |
| Kélina Gotman | ||
| Vol 2, No 1 (2016) | Expression and Bodily Faith in Natalie Heller’s First Impressions | Abstract HTML PDF |
| Adam Loughnane | ||
| Vol 2, No 2 (2017) | Fabric Philosophy: The “Texture” of Theatricality and Performativity | Abstract HTML PDF |
| Teemu Paavolainen | ||
| Vol 4, No 2 (2019) | Failing to Think: The Promise of Performance Philosophy | Abstract HTML PDF |
| James Corby | ||
| Vol 3, No 2 (2017): Philosophy On Stage. Immanenz in zeitgenössischer Kunst und Philosophie. | Figurationen von Immanenz. Das Ereignis: Schreiben | Abstract HTML (Deutsch) PDF (Deutsch) |
| Elisabeth Schäfer | ||
| Vol 3, No 3 (2017): Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy | Figurations of Immanence | Abstract HTML PDF |
| Elisabeth Schäfer | ||
| Vol 3, No 3 (2017): Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy | for colored girls who’ve considered suicide while surviving Post-Traumatic Slavery Syndrome (with acknowledgements to Ntozake Shange and Dr. DeGruy) | Abstract HTML PDF |
| Allison Upshaw | ||
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