Coracles, Castanets, Cadaqués
DOI:
https://doi.org/10.21476/PP.2017.31124Keywords:
playscript, therapy, autobiography, William Blake, Salvador DalÃ, Christ Pantocrator, complementarityAbstract
This ReView of a series of therapy sessions that took place two years ago, over a period of seven months, takes the form of a theatrical text written for the stage. Coracles, Castanets, Cadaqués is part monologue, part comedy, part detective story, and part history lesson and follows the story of theatre professor who makes an appointment with a therapist. What ensues is a sonic and surrealistic autobiographical tale of lost orientation, and of learning to turn an eye into an ear in order to hear the ways that our own darkness is looped with our grandest understanding of love. Oh, and there’s a tiger.
References
Cage, John. (1958) 2013. Silence: Lectures and Writings. Middleton, CT: Wesleyan University Press.
Gough, Kathleen M. 2016. “The Art of the Loop: Analogy, Aurality, History, Performance.” TDR: The Drama Review 60 (1): 93–115. https://doi.org/10.1162/DRAM_a_00526
Ong, Walter. 1982. Orality and Literacy: The Technologies of the Word. London and New York: Routledge. https://doi.org/10.4324/9780203328064
Wilczek, Frank. 2015. A Beautiful Question: Finding Nature’s Deep Design. New York: Penguin.
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Copyright (c) 2017 Kathleen M. Gough

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