This Kinetic World: Rethinking the Grid (Neo-Baroque Calls)
Keywords:
grid, neo-baroque, systems, structures, controls, Andalucia, Cartagena, Singapore, Foucault, DeleuzeAbstract
In performance research today, as in the 1960s, the pressing question is: how to do things with systems. I return to the grid to attend both sites and modes of cultural practices and techniques (technologies) that so powerfully harness and transform the control society. My approach to the grid as dispositif seeks to open familiar dialogues, about variants of subjectivity and presence, to the materialities and devices of systems, structures, and bureaucratic operations. As seeing machine, the grid’s story includes linear perspective, geometricization, and fugitivity. Defined by consistency and contradition, by optics, haptics, and cybernetics, I identify grid logics with the neo-baroque. Exploring the grid through tiling, weaving, seafaring, and curating techniques that link the administrative and the algorithmic state, I discuss the arts of two architectural sites in the port cities of Cartagena, Colombia and Singapore.References
Abaroa. Eduardo. 2012. Proyecto de destrucción total del Museo de Antropología [exhibition]. 7 February–7 April 2014. Cartagena de las Indias, Colombia: Bienal Internacional de Arte Contemporáneo.
Abaroa. Eduardo. 2014. “Notes to a Project: Total Destruction of the Anthropology Museum.” Scapegoat: Landscape/Architecture/Political Economy 6 (“Mexico DF/NAFTA”): 147–151.
Adamson, Glenn. 2010. The Craft Reader. London: Bloomsbury.
Adorno, Theodor. 2005. Minima Moralia: Reflections from Damaged Life. Translated by E. F. N. Jephcott. London, Verso.
Albers, Anni. 1957. “The Pliable Plane: Textiles in Architecture.” Accessed April 2015. http://www.albersfoundation.org/teaching/anni-albers/
Alberti, Leon Battista. (1435-46) 1956. “Prologue.” Translated by John R. Spencer. In On Painting, 39–42.New Haven: Yale University Press.
Appadurai, Arjun. 1986. “Introduction: Commodities and the Politics of Value.” In The Social Life of Things: Commodities in Cultural Perspective, edited by Arjun Appadurai, 3–63. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511819582.003
Aristotle. 1998. Poetics. Chicago: University of Chicago Press.
Austin, J.L. 1962. How to Do Things with Words. The William James Lectures Delivered at Harvard University in 1955. Boston: Clarendon.
Barbrook, Richard, and Pit Schultz. 1997. “The Digital Artisans Manifesto.” Accessed 12 October 2016. http://www.imaginaryfutures.net/2007/04/16/the-digital-artisans-manifesto-by-richard-barbrook-and-pit-schultz/
Bataille, Georges. 1930. “Space.” Documents 1.
Benjamin, Walter. (1935) 1970. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations, edited by Hannah Arendt, translated by Harry Zohn, 219–53. London: Cape.
Bennett, Jane. 2010. Vibrant Matter: A Political Ecology of Things. Durham, NC: Duke University Press.
Bennett, Tony, Ben Dibley, and Rodney Harrison. 2014. “Introduction: Anthropology, Collecting and Colonial Governmentalities.” History and Anthropology 25 (2): 137–149.
https://doi.org/10.1080/02757206.2014.882838
Bergson, Henri. 1990. Matter and Memory. Translated by W. Scott Palmer and Nancy Margaret Paul. New York: Zone Books.
Berlant, Lauren. 2016. “The Commons: Infrastructures for Troubling Times.” Environment and Planning D: Society and Space 34 (3): 393–419. https://doi.org/10.1177/0263775816645989
Bhabha, Homi. 1984. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” October 28: 125–133.
Bishop, Claire, and Mark Sladen. 2008. Double Agent: Pawe Althamer/Nowolipie Group, Phil Collins, Dora García, Christoph Schlingensief, Barbara Visser, Donelle Woolford, Artur Zmijewski [Exhibition]. February 14-April 6. London: Institute of Contemporary Arts.
Bolter, Jay David, and Richard Grusin. 2003. Remediation: Understanding New Media. Cambridge, MA: MIT Press.
Bryant, Levi. 2011. The Democracy of Objects. Ann Arbor, MI: University of Michigan/Open Humanities Press. https://doi.org/10.3998/ohp.9750134.0001.001
Bryant, Levi, and Nick Srnicek, Graham Harman. 2011. The Speculative Turn: Continental Materialism and Realism. Melbourne: re.press.
Burnham, Jack. 1968. “Systems esthetics.” Artforum 7 (1): 30–35.
Burnham, Jack. 1969. “Real time systems.” Artforum 8 (1): 49–55.
Calabrese, Omar. 1992. Neo-Baroque: A Sign of the Times. Princeton: Princeton University Press.
Césaire, Aimé. (1955) 2000. Discourse on Colonialism. New York: New York University Press.
Chakrabarty, Dipesh. 2009. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton: Princeton University Press.
Clifford, Mark. 2015. The Greening of Asia: The Business Case for Solving Asia’s Environmental Emergency. New York: Columbia Business School Publishing.
Cohen, Matt and Jeffrey Glover. 2014. Colonial Mediascapes: Sensory Worlds of the Early Americas. Lincoln: University of Nebraska Press.
Cox, Christoph and Jenny Jaskey and Suhail Malik. 2015. Realism Materialism Art. Annandale-on- Hudson, NY / Berlin: Center for Curatorial Studies, Bard College / Sternberg Press.
Deleuze, Gilles. 1993. The Fold: Leibniz and the Baroque. Translated by Tom Conley. Minneapolis: University of Minnesota Press.
Deleuze, Gilles and Felix Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Translation and forward by Brian Massumi. Minneapolis: University of Minnesota Press.
Dodge, John. 2016. “GE focusing on planes, trains, and … software,” Boston Globe, 24 January. https://www.bostonglobe.com/business/2016/01/24/focusing-planes-trains-and-software/
Egginton, William. 2009. The Theater of Truth: The Ideology of (Neo) Baroque Aesthetics. Palo Alto: Stanford University Press. https://doi.org/10.11126/stanford/9780804769549.001.0001
Fer, Briony. 1997. On Abstract Art. New Haven: Yale University Press.
Fer, Briony. 2004. The Infinite Line: Re-making Art After Modernism. New Haven: Yale University Press.
Focillon, Henri. 1989. The Life of Forms in Art. New York: Zone Books.
Foucault, Michel. 1972. The Archaeology of Knowledge and The Discourse on Language. Translated by A.M. Sheridan Smith. New York: Pantheon.
Foucault, Michel. 1980. Power/Knowledge: Selected Interviews and Other Writings, 1972–1977. Translated by Colin Gordon, Leo Marshall, John Mepham, and Kate Soper. New York: Pantheon.
Gersh, Stephen, and Bert Roest, eds. 2003. Medieval and Renaissance Humanism: Rhetoric, Representation and Reform, 115. Leiden and Boston: Brill’s Studies in Intellectual History.
Gibney, Alex. 2016. Zero Days. Magnolia Pictures.
Glissant, Édouard. 1990. Poetics of Relation. Ann Arbor: University of Michigan Press.
Grosz, Elizabeth. 1998. Chaos, Territory, Art: Deleuze and the Framing of the Earth. New York: Columbia University Press.
Haraway, Donna. 1991. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge.
Harman, Graham. 2010. Toward Speculative Realism: Essays and Lectures. New York: Zero Books.
Harvey, Penny, et al, eds. 2014. Objects and Materials: A Routledge Companion. New York: Routledge.
Heidegger, Martin. 1971. “The Thing.” Translated by Albert Hofstadter. In Poetry, Language, Thought, 161–184. New York: Harper and Row.
Higgins, Hannah. 2009. The Grid Book. Cambridge, MA: MIT Press.
Holl, Stephen. 2013. “What is Architecture? (Art)?” The Brooklyn Rail, 4 September. Accessed 2 November 2016. http://www.brooklynrail.org/2013/09/criticspage/what-is-architecture-art
Hollander, Roel. 2017. “John Coltrane’s Tone Circle.” Accessed April 1. https://roelhollander.eu/en/blog-saxophone/Coltrane-Tone-Circle/
Hornby, Lucy, and Archie Zhang. 2017. “Beijing malls compete on clean air credentials.” Financial Times, 6 January. https://www.ft.com/content/e25219d8-d3a9-11e6-9341-7393bb2e1b51
Hu, Tung-Hui. 2016. A Prehistory of the Cloud. Cambridge, MA: MIT Press.
Iliadis, Andrew and Frederica Russo. 2016. “Critical Data Studies: An Introduction.” Big Data & Society, July-December: 1–7. https://doi.org/10.1177/2053951716674238
James, C.L.R. 1993. Beyond A Boundary. Durham: Duke University Press.
Kant, Immanuel. 1914. The Critique of Judgement: Kant’s 1914 English Edition (Illustrated). Accessed 20 November, 2016. http://www.wealthofnation.com
Kentridge, William. 2016. Interview. In Terms of Performance. Accessed 2 December 2016. http://intermsofperformance.site/interviews/william-kentridge
Kitnick, Alex. 2016. “GIANT STEPS: Alex Kitnick on the staircase in contemporary architecture.” Artforum International 55 (3): 121–122.
Kittler, Friedrich. 1992. Discourse Networks. Palo Alto: Stanford University Press.
Kittler, Friedrich. 1999. Gramophone, Film, Typewriter. Palo Alto: Stanford University Press.
Kittler, Friedrich and John Johnston. 1997. Literature, Media, Information Systems. Amsterdam: Gordon & Breach.
Krauss, Rosalind. 1979. “Grids.” October 9: 51–64.
Krauss, Rosalind. 1981. “The Originality of the Avant-garde: A Postmodernist Repetition.” October 18: 47–66.
Lefebvre, Henri. 2007. The Production of Space. Malden, MA: Blackwell.
Levine, Caroline. 2015. Forms: Whole, Rhythm, Hierarchy, Network. Princeton: Princeton University Press. https://doi.org/10.1515/9781400852604
Lima, Manuel. 2011. Visual Complexity: Mapping Patterns of Information. New York: Princeton Architectural Press.
Lippard, Lucy. 1972. Grids grids grids grids grids grids grids grids [exhibition]. January 27–March 1. Philadelphia: Institute of Contemporary Art, University of Pennsylvania.
Lippard, Lucy. 1997. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley: University of California Press.
Lohr, Steve. 2016. “G.E., the 124-Year-Old Software Start-Up,” The New York Times, 27 August. https://www.nytimes.com/2016/08/28/technology/ge-the-124-year-old-software-start-up.html
Loong, Lee Hsien. 2014. “Why Smart Nation: Our Vision.” 24 November. Accessed May 2015. https://www.smartnation.sg/happenings/speeches/smartnationlaunch#sthash.Q8EpZ4NF.dpuf
Loos, Alfred. (1910) 2003. “Ornament and Crime.” In The Industrial Design Reader, edited by Carma Gorman, 74–81. New York: Allworth.
Maravall, José Antonio. 1986. Culture of the Baroque: Analysis of a Historical Structure. Manchester: Manchester University Press.
Maxwell, Richard, and Toby Miller. 2011. “The Environment and Global Media Communication Policy.” In The Handbook of Global Media and Communication Policy, edited by Robin Mansell and Marc Raboy, 467–485. Malden: Blackwell. https://doi.org/10.1002/9781444395433.ch29
The Metropolitan Museum of Art. 2003. Leonardo da Vinci, Master Draftsman. 22 January–30 March, New York. http://www.metmuseum.org/press/exhibitions/2002/leonardo-da-vinci-master-draftsman-opens-at-metropolitan-museum-january-22
Mignolo, Walter. 1995. The Darker Side of the Renaissance: Literacy, Territoriality, Colonization. Ann Arbor: University of Michigan Press.
Moholy-Nagy, László. 1989. “Photography and Advertising.” In Photography in the Modern Era: European Documents and Critical Writings, 1913–1940, edited by Christopher Phillips, 82–89. New York: Aperture.
Mwamba, Corey. “Coltrane’s Way of Seeing.” Accessed April 2017. http://www.coreymwamba.co.uk/
Ndlianis, Angela. 2004. Neo-Baroque Aesthetics and Contemporary Art. Cambridge: MIT Press.
Negroponte, Nicholas. 1995. Being Digital. New York: Alfred A. Knopf.
Nielsen, Lara D. 2002. “Garbage, Gone.” Women & Performance: A Journal of Feminist Theory 24: 105–131. https://doi.org/10.1080/07407700208571373
Nielsen, Lara D. 2014. "So Close to Burning: Intermedia and Documentary.” Text and Performance Quarterly 34 (3): 286–303. https://doi.org/10.1080/10462937.2014.913808
Nielsen, Lara D. Forthcoming. “Freedom With Silence: Cryptoanalytics and the Differend in the Afterlives of Legal Things.” In Law and/as Performance, edited by Austin Sarat and Martha Umphrey. Amherst: University of Massachusetts Press.
Nielsen, Lara D. In-progress. The Riddle of Labor and Performance.
Nielsen, Lara D., and Patricia Ybarra. 2012. Neoliberalism and Global Theatres: Performance Permutations. Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/9781137035608
Olk, Claudia. 2014. Virginia Woolf and the Aesthetics of Vision. Anglia Book Series 45. Berlin/Boston: Walter de Gruyter GmbH & Co KG.
Parikka, Jussi. 2012. What is Media Archaeology? Cambridge: Polity.
Parikka, Jussi. 2012. “New Materialism as Media Theory: Medianatures and Dirty Matter.” Communication and Critical/Cultural Studies 9 (1): 95–100. https://doi.org/10.1080/14791420.2011.626252
Porter, Janelle. 2014. Fiber: Sculpture 1960–Present. Boston: Prestel.
Powell, A.K. 2012. Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books.
Rees, Ronald. 1980. “Historical Links between Cartography and Art.” Geographical Review 70 (1): 60–78. https://doi.org/10.2307/214368
Roberts, Neil. 2015. Freedom as Marronage. Chicago: University of Chicago Press.
del Rivero, Elena. 2014. …Y tan alta vida espero… (After Santa Teresa de Jesús) [exhibition]. 7 February–7 April. Cartagena de Indias, Colombia: Bienal Internacional de Arte Contemporáneo.
de Sahagún, Bernardo. 1499. Historia general de las cosas de Nueva España / General History of the Things in New Spain. Accessed January 2015. https://www.wdl.org/en/item/10096/
Schweitzer, Marlis, and Joanne Zerdy. 2014. Performing Objects and Theatrical Things. Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/9781137402455
Siegert, Bernhard. 2015. Cultural Techniques: Grids, Filters, Doors and Other Articulations of the Real. New York: Fordham University Press. https://doi.org/10.5422/fordham/9780823263752.001.0001
Smith, Tiai. 2014. Bauhaus Weaving Theory. Minneapolis: University of Minnesota Press. https://doi.org/10.5749/minnesota/9780816687237.001.0001
Sutton, Daud. 2007. Islamic Design: A Genius for Geometry. Glastonbury: Wooden Books.
Tibbits, Skylar. 2017. “Programmable.” Paper presented at Being Material, MIT Media Lab, Cambridge, MA, 22 April.
Tompkins, Kyla Wazana. 2016. “On The Limits and Promise of New Materialist Philosophy.” Lateral: Journal of the Cultural Studies Association 5 (1). https://doi.org/10.25158/L5.1.8
Townsend, Antony M. 2013. Big Data, Civic Hackers, and the Quest for a New Utopia. New York: W.W. Norton & Company.
Tulshyan, Ruchika. 2012. “Why Eduardo Saverin Moved to Singapore.” Forbes, 11 May.
Wark, McKenzie. 2004. A Hacker Manifesto. Cambridge, MA: Harvard University Press.
Weiner, Norbert. 1950. The Human Use of the Human Being. Cambridge, MA: Riverside Press.
Wollen, Peter. 1993. “Baroque and Neo-Baroque in the Age of Spectacle.” Point of Contact 3 (3): 9–21.
Wollheben, Peter. 2016. The Secret Life of Trees: What They Feel, How They Communicate—Discoveries from a Secret World. Translated by Jane Billinghurst. Vancouver: Greystone Books.
Yew, Lee Kwan. 2000. From Third World to First: The Singapore Story, 1965–2000. New York: Harper.
Zamora, Lois Parkinson. 2006. The Inordinate Eye: New World Baroque and Latin American Fiction. Chicago: University of Chicago Press.
Zielinski, Siegfried. 2006. Deep Time of the Media: Toward an archaeology of hearing and seeing by technical means. Cambridge, MA: MIT Press.
Published
License
Copyright (c) 2017 Lara D. Nielsen
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Attribution-NonCommercial-ShareAlike License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal, provided it is for non-commercial uses; and that lets others excerpt, translate, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).