The Physical Consequence to Knowing: A speculative report
Keywords:epistemology, embodied knowledge, oral history
This is my first attempt at approaching the notion of agency as a practice though the mode of dancing and writing; deconstructing and reconstructing what I know experientially and what I am trying to comprehend theoretically. I am looking for a way of releasing bodily capacities from the jurisdiction of the mind, whose cartesian definition I don't attempt to deny, as most people I have the chance to work with and teach exhibit in one way or another proof of the fact they’ve embodied the concept. All the while, I am considering philosophical texts, anatomical texts, and (science) fiction; I am taking into account my bodily experience, I am dancing and I am writing, I am teaching, conversing, occasionally making progress, occasionally falling back to the embrace of old habits, making unnecessary assumptions, and failing. Repetition is a part of the study. Minimal difference is a part of the study. Changing perspective is a part of the study. My strategy includes not trying to fix but approach with care and attention every step I am taking; every achievement, every set-back; every question and every answer. I assume my learning curve to be cyclical, as I continue to practice in public, always vulnerable but eager to engage in an exchange.
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