Learning Khayal: Notes on Being-with
DOI:
https://doi.org/10.21476/PP.2022.72367Keywords:
Khayal, improvisation, being-with, South Asian Performance, Global South PerformanceAbstract
This essay is a poetic reflection on how the history and practice of Khayal, an improvisatory North Indian vocal form, provides lessons on being-with an Other. This submission is a form of ficto-critique and is based on the author's musical practice, revived via online lessons during the pandemic.
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