The Philosomer
Keywords:
Cage, Duchamp, performance identity, performance practitioner, phenomenology, performativity, performance challenge, disciplinary history, performance studiesAbstract
A decade on from its founding, it is the right time to take stock and consider the manner of Performance Philosophy’s constitution and its projection into and onto the world. There are questions about how it narrates itself, both inwardly to its network (though the global reach of Performance Philosophy suggests that ‘inward’ is not the right word here) and outwardly towards interlocutors nominally outside the network. One challenge concerns the “performative materialisation” of Performance Philosophy’s many practitioners. This can be unpacked with a few questions: Who witnesses events? Who intervenes materially? Who contributes to the network? Whose collaboration increases social capital? Who evaluates practitioners’ self-management? Other questions are possible. This essay considers some of these questions.
References
Austin, John. 1962. How To Do Things With Words. Oxford: Oxford University Press.
Barad, Karen. 2003. "Posthumanist Performativity. Toward an Understanding of How Matter Comes to Matter." Signs: A Journal of Women and Culture in Society 28 (3): 801-831. https://doi.org/10.1086/345321 DOI: https://doi.org/10.1086/345321
Bauman, Zygmunt. 2007. Liquid Times: Living in an Age of Uncertainty. Cambridge: Polity.
Bennett, Jane. 2001. The Enchantment of Modern Life: Attachments, Crossings, and Ethics. Princeton: Princeton University Press. https://doi.org/10.1515/9781400884537 DOI: https://doi.org/10.1515/9781400884537
Cabanne, Pierre. 1971. Dialogues with Marcel Duchamp. Translated by Ron Padgett. New York: Viking.
Caputo, John. 2003. "Against Principles: A Sketch of an Ethics Without Ethics." In The Ethical, edited by Edith Wsychogrod and Gerald Kenny, 169-180. Oxford: Blackwell.
Deleuze, Gilles. 1992. Negotiations: 1972-90. Translated by Martin Joughin. New York: Columbia University Press.
Derrida, Jacques. 1988. Limited Inc. Translated by Samuel Weber & Jeffrey Mehlman. Evanston: Northwestern University Press.
De Duve, Thierry. 2007. "The Post-Duchamp Deal: Remarks on a Few Specifications of the Word 'Art'." Filozofski vestnik 28 (2): 27-38.
Gould, Stephen Jay. 2000. "The Substantial Ghost: Towards a General Exegesis of Duchamp's Artful Wordplays." Tout-Fait: The Marcel Duchamp Studies Online Journal 1 (2): not paginated.
Guattari, Felix. 1989. Complexity: Architecture / Art / Philosophy. Translated by Vivian Constantinopoulos. London: Academy.
Kant, Immanuel. 1987. Critique of Judgement. Translated by Werner Pluhar. New York: Hackett.
Lazzarato, Maurizio. 2014. Marcel Duchamp and the Refusal of Work. Translated by Joshua Jordan. Los Angeles: Semiotext(e).
Loxley, James. 2007. Performativity. London: Routledge. https://doi.org/10.4324/9780203391280 DOI: https://doi.org/10.4324/9780203391280
Lyotard, Jean-François. 2011. Discourse, Figure. Translated by Antony Hudek and Mary Lydon. Minneapolis: University of Minnesota Press.
Lyotard, Jean-François. 1997. Postmodern Fables. Translated by Georges Van den Abbeele. Minneapolis: University of Minnesota Press.
Lyotard, Jean-François. 1993. Toward the Postmodern. Translated by Robert Harvey. New Jersey: Humanities Press.
Lyotard, Jean-François. 1993. Libidinal Economy. Translated by Iain Hamilton Grant. London: Athlone.
Lyotard, Jean-François. 1991. The Inhuman: Reflections on Time. Translated by Geoff Bennington and Rachel Bowlby. London: Polity.
Lyotard, Jean-François. 1988. Peregrinations: Law, Form, Event. New York: Columbia University Press. https://doi.org/10.7312/lyot92276 DOI: https://doi.org/10.7312/lyot92276
Manning, Erin. 2017. "For a Pragmatics of the Useless, Or the Value of the Infrathin." Political Theory 45 (1): 97-115. https://doi.org/10.1177/0090591715625877 DOI: https://doi.org/10.1177/0090591715625877
Massumi, Brian. 1996. "The Autonomy of Affect." In Deleuze: A Critical Reader, edited by Paul Patton, 217-239. Oxford: Blackwell.
McKenzie, Jon. 2001. Perform or Else: From Discipline to Performance. New York: Routledge. https://doi.org/10.4324/9780203420058 DOI: https://doi.org/10.4324/9780203420058
Molderings, Herbert. 2010. Duchamp and the Aesthetics of Chance: Art as Experiment. Translated by John Brogden. New York: Columbia University Press. https://doi.org/10.7312/mold14762 DOI: https://doi.org/10.7312/mold14762
Morrison, Toni. 1981. Tar Baby. New York: Knopf.
Nancy, Jean-Luc. 2007. Listening. Translated by Charlotte Mandell. New York: Fordham University Press.
Nozick, Robert. 1981. Philosophical Explanations. Oxford: Clarendon Press.
Retallack, Joan. 2004. The Poethical Wager. California: University of California Press. https://doi.org/10.1525/9780520935235 DOI: https://doi.org/10.1525/9780520935235
Sanouillet, Michel, and Elmer Peterson, eds. 1973. The Writings of Marcel Duchamp. New York: Oxford University Press.
Tomkins, Calvin. 2013. Marcel Duchamp: The Afternoon Interviews. New York: Badlands.
Tomkins, Calvin. 1996. Duchamp: A Biography. New York: MOMA.
Williams, Raymond. 1958. Culture and Society 1780-1950. London: Chatto & Windus.
Published
License
Copyright (c) 2024 Anthony Gritten

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Attribution-NonCommercial-ShareAlike License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal, provided it is for non-commercial uses; and that lets others excerpt, translate, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).