Thinking Through Performance Technology in Music / Sound

Anthony Gritten; Caroline Wilkins

doi:10.21476/PP.2023.81458

Thinking Through Performance Technology in Music / Sound

Authors

Anthony Gritten Royal Academy of Music (UK)
Caroline Wilkins Independent composer/performer/researcher

Author Biographies

Anthony Gritten, Royal Academy of Music (UK)

Anthony Gritten studied the organ with Harry Gabb, Anne Page and David Sanger, and is a Fellow of the Royal College of Organists. He has given over 300 recitals all over the UK, Paris and Canada, including several premieres of works by Daniel Roth.

Anthony’s research spans a variety of issues in performance studies, the philosophy and aesthetics of music, and the music of Igor Stravinsky and John Cage. He is a core convener of the Performance Philosophy network.

Caroline Wilkins, Independent composer/performer/researcher

Independent composer/performer/researcher Dr. Caroline Wilkins completed a practice-based PhD in Sound Theatre at Brunel University, London in 2012. She comes from a background of new music performance, composition and theatre, and has worked extensively on solo and collaborative productions involving these. Her particular interest lies in exploring new forms within the field of inter-medial sound theatre.

She has presented extensively at (inter)national conferences and published articles / essays in both book and journal form, including O.U.P., Intellect Books and Journal of Performance Philosophy.

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Published

30-06-2023

How to Cite

“Thinking Through Performance Technology in Music Sound”. 2023. Performance Philosophy 8 (1): 1-6. https://doi.org/10.21476/PP.2023.81458.

Issue

Vol. 8 No. 1 (2023): Thinking Through Performance Technology in Music / Sound

Section

Editorial

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How to Cite

“Thinking Through Performance Technology in Music Sound”. 2023. Performance Philosophy 8 (1): 1-6. https://doi.org/10.21476/PP.2023.81458.