The Problem of Hybridity

Triangulating zones of entanglement between knowledge and embodied practice

Authors

  • Speculative Space

Downloads

Abstract

Speculative Design offers a methodological toolbox with which to explore, and potentially legitimize, alternative models and modes of knowledge through world-building not based on, or not yet based on, socially normalised ‘truths’. However, a problematic dichotomy remains: whilst a neutral, transparent and universal truth may be a fantasy construct, the disturbance of such a construct through individual embodiments is no simple alternative. It requires a careful observation of the modes and assumptions, the premises and processes of different knowledge-generating practices within the confines of academia and beyond. In short, it requires actual (not simply professed) inter- and trans-disciplinarity; in other words: actual working together. So: How do we work together?

Drawing from a range of different disciplines and hybrid forms of research, including artistic research, design, philosophy, and various types of embodied practice, the team members of Spec Space, the Laboratory for Speculative Design Research at Hamburg University of Applied Sciences (HAW), attempted to perform this inter- and trans-disciplinarity on the stage of the Performance Philosophy conference in Helsinki. They  demonstrate different ways of knowing, approaching and triangulating the question of what can emerge, once the traditional domains of academia and science (“Wissenschaft”), are no longer regarded as exclusive sites for knowledge production.

Author Biography

Speculative Space

Speculative Space was a laboratory for speculative design research at Hamburg University of Applied Sciences (HAW Hamburg, Design Department). It ran from September 2019 until March 2023 and was funded by the Federal State Research Fund of Hamburg (Landesforschungsförderung Hamburg). There were five main researchers and two associate researchers. Speculative Space initiated and hosted several design events, three lecture series, two conferences and multiple artistic/design research exhibition, most of which are documented on www.speclog.xyz. It culminated in an experimental publication entitled Specology. Zu einer Ästhetischen Forschung (Haarmann, Lagaay, Bieling, Ivanova, Körschke, Bohaumilitzy, Scholz, eds. 2023).

References

Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press. DOI: https://doi.org/10.2307/j.ctv12101zq

Chen, Yearning K. 1971. T’ai-chi Ch’üan. Hong Kong: Unicorn Press.

Haarmann, Anke, Alice Lagaay, Tom Bieling, Torben Koerschkes, Petja Ivanova, Frieder Bohaumilitzky, and Barbro Scholz, eds. 2023. Specology – Zu einer ästhetischen Forschung. Hamburg: Adocs.

Katz, Mark. 2012. Groove Music: The Art and Culture of the Hip-Hop. Oxford: Oxford University Press.

Kittler, Frierich A. 2003. Aufschreibesysteme 1800–1900. Paderborn: Wilhelm Fink.

Musil, Robert. 1930. Der Mann ohne Eigenschaften. Hamburg: Rowohlt.

Plato. 1914. Euthyphro. Apology. Crito. Phaedo. Phaedrus. Translated by Harold North Fowler. Loeb Classical Library 36. Cambridge, MA: Harvard University Press. https://doi.org/10.4159/DLCL.plato_philosopher-apology.1914. DOI: https://doi.org/10.4159/DLCL.plato_philosopher-apology.1914

Plato 2022. Lysis. Symposium. Phaedrus. Edited and translated by Christopher Emlyn-Jones and William Preddy. Loeb Classical Library 166. Cambridge, MA: Harvard University Press. https://doi.org/10.4159/DLCL.plato_philosopher-symposium.2022.

Schmidt, Michael. 2009. Philosophy of Media Sounds. New York and Dresden: Atopros.

Zumbusch, Cornelia. 2017. “Die Künste als Archive eines Ausgleichswissens.” Accessed 5 June 2023. https://www.warburg-haus.de/tagebuch/die-kuenste-als-archive-eines-ausgleichswissens.

Published

30-12-2024