Whale grief: Episodes I + II

Authors

  • Laura Cull Ó Maoilearca

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Keywords:

grief, animals, whales, interspecies, infant loss, racism, speciesism

Abstract

In this piece, Laura Cull Ó Maoilearca offers two stories that approach the experience of grief and loss from an interspecies perspective with a particular focus on whales. Whilst much mainstream debate and academic literature continues to frame grief as exclusively human, or to position human grief as the standard for grieving per se, Cull Ó Maoilearca follows the work of anthropologist Barbara King (2013) amongst others to attend to whales as both the subjects and objects of grief.  Mapping entanglements of oppressions stemming from speciesism, colonialism, capitalism and racism, the first story mourns the loss of animals including two beluga whales in the 1865 fire at P. T. Barnum's American Museum. The second story attends to the specific case of Tahlequah: the orca who in 2018 pushed the body of her newborn, which died shortly after birth, with her snout for 17 days, in what whale biologists called ‘a show of grief’.

Author Biography

Laura Cull Ó Maoilearca

Laura Cull Ó Maoilearca is an artist, writer and researcher based in Amsterdam, Netherlands. She holds a joint appointment as Lector (the Dutch title for professors at applied universities) of the Academy of Theatre and Dance at Amsterdam University of the Arts, and as special Professor of Performance Philosophy at the University of Amsterdam. Her latest publications are Interspecies Performance (2024) co-edited with Florence Fitzgerald-Allsopp for Performance Research Books and the expanded publication project, An [Interrupted] Bestiary (2022). Laura is a founding core convener of the Performance Philosophy network and an editor of its journal and book series.

References

“Barnum’s American Museum Burns Down.” Culture Now: Museum with Walls. Accessed 26 July 2024. https://culturenow.org/site/barnums-american-museum.

Bosworth, Amanda. 2018. “Barnum’s Whales: The Showman and the Forging of Modern Animal Captivity.” Perspectives on History 56 (4), “Captivity Narratives.” n.p.

Coleman, Taiyon J. 2019. “Tilted Uterus: When Jesus Is Your Baby Daddy.” In What God Is Honored Here? Writings on Miscarriage and Infant Loss by and for Native Women and Women of Color, edited by Shannon Gibney and Kao Kalia Yang, 45–66. Minneapolis: University of Minnesota Press. https://doi.org/10.5749/j.ctvpwhdht.9. DOI: https://doi.org/10.5749/j.ctvpwhdht.9

East Side Freedom Library. 2019. “What God is Honored Here?”, public readings at East Side Freedom Library, 11 December. https://www.youtube.com/watch?v=755Mlk8TzNk

King, Barbara J. 2013. How Animals Grieve. Chicago: University of Chicago Press. https://doi.org/10.7208/chicago/9780226043722.001.0001. DOI: https://doi.org/10.7208/chicago/9780226043722.001.0001

Manning, Erin. 2013. Always More Than One: Individuation’s Dance. Durham, NC: Duke University Press. DOI: https://doi.org/10.2307/j.ctv11smsmz

Saxon, A.H. 1989. “P.T. Barnum and the American Museum.” The Wilson Quarterly 13: 130–139.

Simpson, Leanne Betasamosake. 2024. “A Blow to the Snake Here: A conversation around Indigenous and Palestinian struggle.” Panel at Framer Framed, Amsterdam, April 24.

Squires, Catherine R. 2019. “Calendar of the Unexpected.” In What God Is Honored Here? Writings on Miscarriage and Infant Loss by and for Native Women and Women of Color, edited by Shannon Gibney and Kao Kalia Yang, 207–224. Minneapolis: University of Minnesota Press. https://doi.org/10.5749/j.ctvpwhdht.26. DOI: https://doi.org/10.5749/j.ctvpwhdht.26

Published

26-02-2025