Vol. 2 No. 2 (2016)

• Editorial

  Laura Cull Ó Maoilearca, Kélina Gotman, Eve Katsouraki, Theron Schmidt

  162-171

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Articles

• Fabric Philosophy: The “Texture” of Theatricality and Performativity

  Teemu Paavolainen

  172-188

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• "Any Search for an Origin is Hysterical": Summoning the Ghost of J.L. Austin

  Tawny Andersen

  189-205

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• Disjointed Confessions: Adikia and Radical Deradicalization in Schlingensief’s Hamlet

  Janus C. Currie

  206-221

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• Rhythm and Structure: Brecht’s Antigone in performance

  Bruno C. Duarte

  222-240

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• Caesura of History: Performing Greek Tragedy after Brecht

  Matthias Dreyer

  241-256

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• Embodiment as First Affordance: Tinkering, Tuning, Tracking

  Ben Spatz

  257-271

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• A thought of performance

  Tero Nauha

  272-285

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• Attempts on (writing) her life: ethics and ontology in pro-feminist playwriting

  Kai Roland Green

  286-298

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• Performance Philosophy: audience participation and responsibility

  Alice Breemen

  299-309

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• Silent waves: On silence, Singapore, and Jacques Rancière

  Felipe Cervera

  310-330

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[Margins]

• Running, Resistance, and Recollection: A conversation with ourselves through time

  Margins

  Katye Coe, Hetty Blades

  331-341

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• Philosophy as Verse-Performance: five poems and a formalist prospectus

  Margins

  Christopher Norris

  342-361

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