Performance Philosophy is an emerging interdisciplinary field of thought, creative practice and scholarship. The newly founded Performance Philosophy book series comprises monographs and essay collections addressing the relationship between performance and philosophy within a broad range of philosophical traditions and performance practices, including drama, theatre, performance arts, dance, art and music. It also includes studies of the performative aspects of life and, indeed, philosophy itself. As such, the series addresses the philosophy of performance as well as performance-as-philosophy and philosophy-as-performance.

Current titles in the series include:


Encounters in Performance Philosophy (2014)
edited by Laura Cull and Alice Lagaay

Žižek and Performance (2014)
edited by Broderick Chow and Alex Mangold

Adorno and Performance (2014)
edited by Will Daddario and Karoline Gritzner

Performance and Temporalisation: Time Happens (2015)
edited by Stuart Grant, Jodie McNeilly and Maeva Veerapen

Performing Antagonism: Theatre, Performance & Radical Democracy (2017)
edited by Tony Fisher and Eve Katsouraki

Baroque, Venice, Theatre, Philosophy (2017)
by Will Daddario

Inter Views in Performance Philosophy: Conversations and Crossings (2017)
edited by Anna Street, Julien Alliot, and Magnolia Pauker

Performance Phenomenology: To The Thing Itself
(2019)
edited by Stuart Grant, Jodie McNeilly-Renaudie, and Matthew Wagner

Performing Citizenship: Bodies, Agencies, Limitations (2019)
edited by Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, and Gesa Ziemer

Series Editors

Laura Cull Ó Maoilearca – Head of Department of Theatre and Dance, University of Surrey, UK
Will Daddario – Independent scholar, USA
Alice Lagaay – Professor of Aesthetics and Cultural Philosophy at Hamburg University of Applied Sciences, Germany

Forthcoming titles:

Beyond the Looking Glass: Game Studies as Performance Philosophy, by Markus Rautzenberg

Forgotten Acts of Insects & Children: Ethical Thinking at the Edges of Sentience, by Undine Sellbach and Stephen Loo

Editorial Board

Emmanuel Alloa – Assistant Professor in Philosophy at University of St. Gallen, Switzerland
Lydia Goehr – Professor of Philosophy at Columbia University, USA
James R. Hamilton – Professor of Philosophy at Kansas State University, USA
Bojana Kunst – Professor of Choreography and Performance at the Institute for Applied Theatre Studies, Justus-Liebig University Giessen, Germany
Nikolaus Müller-Schöll – Professor of Theatre Studies at the Goethe University, Frankfurt am Main, Germany
Martin Puchner – Professor of Drama and of English and Comparative Literature at Harvard University, USA
Alan Read – Professor of Theatre at King’s College London, UK
Freddie Rokem, Professor (Emeritus) of Theatre Arts, Tel Aviv University, Israel

The series editors and publisher welcome all new ideas for the series and are actively seeking proposals. Please contact us at:

Laura Cull Ó Maoilearca: [email protected]
Will Daddario: [email protected]
Alice Lagaay: [email protected]
Jenny McCall: [email protected]

You can find copies of the Palgrave Macmillan standard proposal form at www.palgrave.com/authors

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